The Kalevala Society Foundation
https://edition.fi/kalevalaseura
<p>FFC is a refereed monograph series in the following fields of research: folkloristics, comparative religion, cultural anthropology and ethnology. It focuses on the non-material aspects of traditional culture, especially oral literature, belief systems, myth and ritual, methodology and the history of research.</p> <p>See the full catalogue of FFC volumes at the <a href="https://www.folklorefellows.fi/ffc-editors/complete-catalogue/">folklorefellows.fi website</a>.</p>en-USThe Kalevala Society FoundationAtlantic Outlooks on Being at Home
https://edition.fi/kalevalaseura/catalog/book/956
<p>Much of both lcelandic and medieval lrish literature is, in one way or another, storytelling about places, reflecting a deep engagement with the concept of ‘place’ and the creation of a ‘sense of place’.</p> <p>This book takes as its starting point the shared interest that lcelandic and lrish storytelling have in ‘place’ and asks whether the medieval lcelandic sense of place, as reflected in lcelandic narrative culture, has been influenced by the close contacts that existed during the Viking Age between lceland and the Gaelic-speaking world of lreland and Scotland.</p> <p>ln attempting to answer this question, the book contributes to the long-standing debate about Gaelic influences in lcelandic culture, the much more recent discourse on the spatiality of medieval lcelandic literature and storytelling, and the cultural history of the lcelandic settlement period. Obliquely, the findings of the book may even shed light on the origins of lcelandic saga literature. Along the way, it also offers insights on a number of general points of spatial theory as well as, in particular, on two medieval lcelandic texts that are especially place-focused: <em>Landnámabók</em>, the ‘Book of settlements’ and <em>Eyrbyggja saga</em>, the ‘Saga of the lnhabitants of Eyr’.</p>Matthias Egeler
Copyright (c) 2018 Matthias Egeler
https://creativecommons.org/licenses/by-nc-nd/4.0/
2018-06-212018-06-21Tschuden und andere Feinde in der saamischen Erzähltradition
https://edition.fi/kalevalaseura/catalog/book/957
<p>Sagen, die von Auseinandersetzungen mit in mehr oder weniger großer Zahl eindringenden Feinden handeln, die sog. Tschudensagen, bilden eine zentrale Gruppe innerhalb der saamischen Erzähltradition. Diesen über das gesamte saamische Traditionsgebiet verbreiteten Sagen werden im vorliegenden Band Erzählungen von anderen Untaten, u.a. interethnischen Vergehen, zugesellt. Das alle hier erfassten und unterschiedlichen Schichten zugehörigen Sagen Verbindende ist die vielfältige Bedrohung von Leben und Besitz der Saamen durch den Fremden.</p> <p>Für die einschlägigen Sagen wird ein Typenkatalog erstellt. Dabei werden die einzelnen Typen eingehend beschrieben, so dass auch regionale Besonderheiten erkennbar werden. Die detaillierten Angaben bilden dann die Grundlage für sich dem Typenkatalog anschließende Erörterungen etwa zu der Frage, inwieweit die Sagen die (historische) Lebenswirklichkeit der Saamen widerspiegeln oder was sie über die soziale Stellung der Saamen und ihr Verhältnis zu den Nachbarvölkern aussagen.</p> <p>----</p> <p>Hans-Hermann Bartens war bis 2008 am Finnisch-Ugrischen Seminar der Georg-August-Universität Göttingen tätig. lm Rahmen seiner Tätigkeit hat er u.a. Lehrveranstaltungen zum Saamischen und zur Kultur der Saamen abgehalten. Seine Publikationen befassen sich sowohl mit Sprachen der westlicheren finnischugrischen Völker als auch mit deren Folklore.</p>Hans-Hermann Bartens
Copyright (c) 2017 Hans-Hermann Bartens
https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en
2017-12-312017-12-31Finding Heritage Through Fiction in Dracula Tourism
https://edition.fi/kalevalaseura/catalog/book/962
<p>Heritage and tourism have become inextricably linked. Depending on the view point, the effect of this link can be seen either negative or positive. Does tourism produce in authentic and falsified tradition, threatening cultural heritage? Or does it, in fact, help to preserve heritage, culture and folklore in a changing and globalizing world? In this book, <em>Finding Heritage Through Fiction in Dracula Tourism</em>, Tuomas Hovi investigates heritage in the context of Dracula tourism in Romania: tourists visiting places connected with either the fictional vampire Dracula or the historical Dracula, Vlad the Impaler, a 15th century Romanian ruler. How is Romanian heritage and culture presented and promoted through a seemingly superficial Dracula tourism based on Western popular fiction in Dracula tourism? <em>Finding Heritage Through Fiction in Dracula Tourism</em> offers new perspectives on the research literate concerning tourism and heritage, and a folkloristic view of tourism research.</p>Tuomas Hovi
Copyright (c) 2016 Tuomas Hovi
https://creativecommons.org/licenses/by-nc-nd/4.0/
2016-12-012016-12-01Blood Rite
https://edition.fi/kalevalaseura/catalog/book/963
<p>The custom of sacrificing animals on St. Martin’s Eve (November 10), or ‘spilling blood for St. Martin’, was known in a large part of Ireland until recently. This ritual offering has played an important role in the religious calendar of Christian communities in Western Europe for many centuries. Numerous authors over the last two hundred years have explored ideas about ancient pagan survivals being involved in the festival. Billy Mag Fhloinn addresses this situation, offering both an account and an analysis of the folk manifestation of the cult of St. Martin in the 19th and 20th centuries. In <em>Blood Rite: The Feast of St. Martin in Ireland</em>, Mag Fhloinn presents theories on the origin, meaning and function of traditions and narratives associated with the cult, which has existed in Ireland since at least the seventh century. Bill Mag Fhloinn is an adjunct lecturer in Irish studies at the University of Limerick, and the Sacred Heart University Centre for Irish Cultural Studies. He was awarded a PhD in Irish Folklore from University College Dublin 2013. His area of research interest includes folk religion, ritual, and calendar customs.</p>Billy Mag Fhloinn
Copyright (c) 2016 Billy Mag Fhloinn
https://creativecommons.org/licenses/by-nc-nd/4.0/
2016-01-012016-01-01The Types of International Folktales – A Classification and Bibliography
https://edition.fi/kalevalaseura/catalog/book/769
<p style="font-weight: 400;">The catalogue of international tale types (ATU) based on the system of Aarne/Thompson constitutes a fundamentally new edition with extensive additions and innovations. The descriptions of the tale types have been completely rewritten and made more precise. The essential research cited for each type includes extensive documentation of its international distribution as well as monographic works or articles on that type. More than two hundred and fifty new types have been added. Types with very limited distribution have been omitted. A detailed subject index includes the most important subjects, actions, and other motifs, including actors and settings.</p> <p style="font-weight: 400;">Hans-Jörg Uther (b. 1944) is Professor of German Literature at the University of Duisburg-Essen, a senior member of the editorial staff of the Enzyklopädie des Märchens, Göttingen, and the former editor of the series “Die Märchen der Weltliteratur”. He is a prominent scholar in the area of traditions and folk literature with special interest in historical and comparative studies. He has edited over fifty books on folktales and legends, among them critical editions of the Brothers Grimm (1996, 2004), Wilhelm Hauff (1999), and Ludwig Bechstein (1998), and published numerous articles in German, English and other languages.</p> <p style="font-weight: 400;">Originally published in 2004, this online publication is of the 2011 second edition.</p> <p style="font-weight: 400;"> </p>Hans-Jörg Uther
Copyright (c) 2011 Hans-Jörg Uther
https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en
2011-07-122011-07-12The Types of International Folktales – A Classification and Bibliography
https://edition.fi/kalevalaseura/catalog/book/763
<p style="font-weight: 400;">The catalogue of international tale types (ATU) based on the system of Aarne/Thompson constitutes a fundamentally new edition with extensive additions and innovations. The descriptions of the tale types have been completely rewritten and made more precise. The essential research cited for each type includes extensive documentation of its international distribution as well as monographic works or articles on that type. More than two hundred and fifty new types have been added. Types with very limited distribution have been omitted. A detailed subject index includes the most important subjects, actions, and other motifs, including actors and settings.</p> <p style="font-weight: 400;">Hans-Jörg Uther (b. 1944) is Professor of German Literature at the University of Duisburg-Essen, a senior member of the editorial staff of the Enzyklopädie des Märchens, Göttingen, and the former editor of the series “Die Märchen der Weltliteratur”. He is a prominent scholar in the area of traditions and folk literature with special interest in historical and comparative studies. He has edited over fifty books on folktales and legends, among them critical editions of the Brothers Grimm (1996, 2004), Wilhelm Hauff (1999), and Ludwig Bechstein (1998), and published numerous articles in German, English and other languages.</p>Hans-Jörg Uther
Copyright (c) 2011 Hans-Jörg Uther
https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en
2011-07-122011-07-12The Types of International Folktales – A Classification and Bibliography
https://edition.fi/kalevalaseura/catalog/book/765
<p style="font-weight: 400;">The catalogue of international tale types (ATU) based on the system of Aarne/Thompson constitutes a fundamentally new edition with extensive additions and innovations. The descriptions of the tale types have been completely rewritten and made more precise. The essential research cited for each type includes extensive documentation of its international distribution as well as monographic works or articles on that type. More than two hundred and fifty new types have been added. Types with very limited distribution have been omitted. A detailed subject index includes the most important subjects, actions, and other motifs, including actors and settings.</p> <p style="font-weight: 400;">Originally published in 2004, this online publication is of the 2011 second edition.</p>Hans-Jörg Uther
Copyright (c) 2011 Hans-Jörg Uther
https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en
2011-07-122011-07-12