Ottoman Intimacies, Balkan Musical Realities

Luvut

• Introduction
  Risto Pekka Pennanen, Panagiotis Poulos, Aspasia Theodosiou
  DOI: https://doi.org/10.62444/fia.1101.c1649
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• Text and Memory in Ottoman/Turkish Musical Tradition
  Cem Behar
  DOI: https://doi.org/10.62444/fia.1101.c1650
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• Solemn Songs for the Sultan: Cultural Integration through Music in the Late Ottoman Empire, 1840s–1860s
  Darin Stephanov
  DOI: https://doi.org/10.62444/fia.1101.c1651
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• Between Sultan and Emperor: Politics and Ottoman Music in Habsburg Bosnia-Herzegovina, 1878–1918
  Risto Pekka Pennanen
  DOI: https://doi.org/10.62444/fia.1101.c1652
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• The Non-Muslim Musicians of Istanbul: Between Recorded and Intimate Memory
  Panagiotis Poulos
  DOI: https://doi.org/10.62444/fia.1101.c1653
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• The Ottoman Past in Romantic Opera’s Present: The Ottoman Other in Serbian, Croatian and Montenegrin Opera
  Tatjana Marković
  DOI: https://doi.org/10.62444/fia.1101.c1654
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• The Balkan Wreath: Multicultural Balkan Identity in Film Music
  Nevena Daković, Marija Ćirić
  DOI: https://doi.org/10.62444/fia.1101.c1655
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• Negotiating the “Oriental”: Roma and the Political Economy of Representation in Bulgarian Popfolk
  Carol Silverman
  DOI: https://doi.org/10.62444/fia.1101.c1656
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• ChalgaTube: Bulgarian Chalga on the Internet
  Vesa Kurkela
  DOI: https://doi.org/10.62444/fia.1101.c1657
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• “Fantasia Repertoire”: Alaturka, Arabesk and Gypsy Musicians in Epirus, Greece
  Aspasia Theodosiou
  DOI: https://doi.org/10.62444/fia.1101.c1658
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• Imagining the Balkans, Imagining Europe: Balkan Entries in the Eurovision Song Contest
  Derek Scott
  DOI: https://doi.org/10.62444/fia.1101.c1659
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