The Finnish Institute at Athens https://edition.fi/finnishinstituteathens en-US The Finnish Institute at Athens Habbo G. Lolling at Melitaia https://edition.fi/finnishinstituteathens/catalog/book/888 <p>The Greek–Finnish collaborative field-project, the Melitaia Archaeological Programme, began in 2022 to examine the ancient Thessalian city of Melitaia. The programme is the first endeavour to systematically document the entirety of the ancient site, but does not represent the first endeavour to outline its antiquities. Already in 1882, the German scholar and epigraphist Habbo Gerhard Lolling visited the location and made a remarkably detailed plan of its visible architectural remains. Lolling’s account was never published and remained forgotten among his notebooks after his untimely death in 1894. In this article, the site of ancient Melitaia is presented through a combination of Lolling’s notes and a recent LiDAR survey, providing a rare glimpse of the state of the archaeological site both in the present and in the years immediately after the incorporation of Thessaly into the Kingdom of Greece.</p> Robin Rönnlund Copyright (c) 2024 The Finnish Institute at Athens https://creativecommons.org/licenses/by-nc/4.0 2024-09-16 2024-09-16 From Hyperborea to the Middle Sea and Back https://edition.fi/finnishinstituteathens/catalog/book/889 <p>The second volume of the electronic series <em>Grifos</em> by the Finnish Institute at Athens explores the Finnish history of antiquities collecting and the influence of ancient culture in “Hyperborea”, as Finland was referred to by one of the prominent collectors. Over the course of the twentieth century, an art historian, a painter, and a clergyman from Finland travelled throughout the Mediterranean and adjoining lands and acquired what is now the antiquarian collection of 66 pieces in the Joensuu Art Museum. It is one of the few such collections publicly displayed in Finland, and this publication in Finnish covers the entire corpus for the first time. The travel reports and paintings of these collectors throw light on their inspirations and goals in collecting. These tangible mementoes, ranging from vases to sculptures, from figurines to lamps, are studied through the connected myths, iconography, and uses of the objects, their circulation through ancient trade, as well their later, modern travels that eventually found them in Finland.</p> Leena Pietilä-Castrén Copyright (c) 2023 The Finnish Institute at Athens https://creativecommons.org/licenses/by-nc/4.0 2023-12-19 2023-12-19 A Swedish Philhellenic Pamphlet from 1821 https://edition.fi/finnishinstituteathens/catalog/book/606 <p>The first volume of <em>Grifos</em> is a publication of a rare, anonymously published philhellenic pamphlet from the year 1821. It was printed in Stockholm, yet it has hitherto remained uncol­lected by the scholarly community. The pamphlet is published here for the first time with an En­glish translation and a commentary by George Kalpadakis and Vassilios Sabatakakis. In their introduction the authors place the pamphlet in its historical context and discuss its core themes. The original 1821 text, whose images are repro­duced in the final section, has been transcribed and translated by both authors. This rather provocative philhellenic text echoes a few central themes of philhellenism that by the time of its publica­tion had already become part of later frequent­ly repeated rhetoric in philhellenic discourses. Probably in the challenging political climate in Sweden vis-à-vis the Greek war of independence, complex attitudes and ideologies, both for and against the struggle during its early phase, are re­flected in the text.</p> Petra Pakkanen George Kalpadakis Vassilios Sabatakakis Copyright (c) 2022 The Finnish Institute at Athens https://creativecommons.org/licenses/by-nc/4.0 2022-12-16 2022-12-16