Ottoman Intimacies, Balkan Musical Realities
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Synopsis
In 2024, the publisher of PMFIA series (Foundation for the Finnish Institute of Athens) decided to re-publish all previous volumes of the series, earlier available in printed form only, in an open-access format. Simultaneously, the contributions have been re-licensed with Creative commons license standard CC BY-NC, now commonly used in scientific publishing. The volumes, and the individual articles contained within them, have also been addigned DOI-numbers to enhance referencing.
Chapters
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Introduction
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Text and Memory in Ottoman/Turkish Musical Tradition
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Solemn Songs for the Sultan: Cultural Integration through Music in the Late Ottoman Empire, 1840s–1860s
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Between Sultan and Emperor: Politics and Ottoman Music in Habsburg Bosnia-Herzegovina, 1878–1918
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The Non-Muslim Musicians of Istanbul: Between Recorded and Intimate Memory
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The Ottoman Past in Romantic Opera’s Present: The Ottoman Other in Serbian, Croatian and Montenegrin Opera
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The Balkan Wreath: Multicultural Balkan Identity in Film Music
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Negotiating the “Oriental”: Roma and the Political Economy of Representation in Bulgarian Popfolk
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ChalgaTube: Bulgarian Chalga on the Internet
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“Fantasia Repertoire”: Alaturka, Arabesk and Gypsy Musicians in Epirus, Greece
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Imagining the Balkans, Imagining Europe: Balkan Entries in the Eurovision Song Contest
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Published
2013-01-01
Print ISSN
1237-2684
Categories
Copyright (c) 2013 The Finnish Institute at Athens
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
